![]() The percussion sound is quite odd, and there's another fat (less tuneful) bass riff. You'd think you're into something very left-of-center as " Venus As A Boy" first hits your ears. Great groove, awesome melody, and Iceland's best voice. The track ends with the age-old production trick of silencing everything except the backing vocals, and it works beautifully, adding yet another shimmering layer to this shiny musical cake. Which reads as generic enough, but from this woman's magical throat it turns into a riveting noise that makes you sit up and want to pay more attention. Another bouncy keyboard-bass riff propels it along, and we get to hear Björk's voice in full bloom for the first time, and damn she can sing! The chorus goes: I was surprised, years later, to see that this song was never issued as a single (four others were), because it's very memorable and has a great melody. The first bouncy, danceable track is " Crying". What's a bit odd about this track, for an opener, is that it's mid-tempo. By the way, this song has a loud and cool melodic riff that pops up a couple of times – it sounds like a guitar, but is undoubtedly a keyboard. A line that sets the tone for the whole album, perhaps, is "There is no map"!, because, indeed, this record is going in any number of directions. The lyric, by the way, is supposedly expressing humans from an animal's point of view. The fat bass grabs you from the first bars and doesn't let go. " Human Behaviour", which was Björk's very first international single in June '93, is a very good song. Okay, so let's run through the tracks on this wonderful album: He went on to do some pretty mainstream music in later days, but back in the late 80s/early-90s he was known for electronica and trip-hop records. A lot of the melodies on Debut I wrote as a teenager and put aside because I was in punk bands and they weren't punk."įinally, she needed a co-producer, and that became Nellee Hooper (after she first did some other work with some others). all in my house in Iceland, after my son had gone to bed." She also said: "I wrote the melody for 'Human Behaviour' as a kid. Then, what about the songs? About Debut (1993), Björk once said: "I kinda picked the greatest hit of my songwriting. There is a fabulous mix of electronics, a "real"-band combo that's bass- and keyboard-heavy, and Björk's once-in-a-lifetime voice (more of which later). I got Debut back in '93, and absolutely loved it. The whole alternative rock bands, man!, thing was already getting tiresome by then. Which is kinda how I myself felt back in '93, when I was a teen. Tours with The Sugarcubes, because they were all doing the sameīoring thing, and so she started going to clubs instead. Björk also said she was extremely disappointedĪfter going to see rock bands in the late 1980s, during international If you drop a band of equals and hire the programmers and Tangerine Dream", etc., from the 1970s, so it seems she had likedĭigital sounds for a long time. She was "completely mad about Kraftwerk and Maybe wanted something heavier-hitting, a bit sexier, and a bit Not that you couldn't dance to The Sugarcubes if you wanted, butĪccording to my memory (I had their first album about 24 yearsĪgo), their sound was very spacious and open and "airy". I think another thing she probably wanted was to groove a bit more. Wanted more independence and more of a chance to be like a baws! What I think is, Björk, like anyone who isĮxtremely talented and is reaching a stage of maturity in life, simply In about 1992, though, Björk seems to have wanted somethingĭifferent (and, after all, The Sugarcubes' commercial fortunes were
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